THE HAPPENING
The
first stage is loss of speech, the second stage is physical disorientation and
the final stage is bloody suicide. This is the result of a mysterious
phenomenon that initially affects larger cities in the East Coast and creeps
its way into smaller towns. A little group led by high school science teacher
Elliot Moore tries to outrun this inexplicable event.
THE
HAPPENING is the latest cinematic offering by writer/director M. Night
Shyamalan. Actor Mark Wahlberg plays the protagonist (Elliot Moore), his wife
(Alma) is played by Zooey Deschanel and John Leguizamo with many others makes
up the supporting cast.
Film/cinema
is a little over a hundred years old so needless to say everything that can be
done has already been done. This medium of art has come full circle because
audiences of today cannot be fooled by gimmicks. This is why it is critical for
present day filmmakers to get back to basics and formulate that indestructible
plot. Unfortunately M. Night feels that posing questions and creating an eerie
atmosphere will suffice the lack of a conclusive storyline. From the theatrical
trailer itself, I began to ponder as to what this happening may be. (Spoiler
Alert! Do not read if you have not seen the movie) Is it a terrorist attack,
some kind of biological weapon, is it an airborne virus, is it aliens or is it
the work of a bunch of pissed off elves and pixies? NO!!! It's just Mother
'freaking' Nature, that’s who. As I'm seated in the theatre watching the movie,
I think to myself "Please let there be a good reason for all this." but
to my horror the writer/director of THE SIXTH SENSE could only muster a
ridiculously ordinary and obvious explanation for all the mayhem. The film is
similar to Spielberg's WAR OF THE WORLDS because the story revolves around a
family on the run from a global killer. In fact, the interaction between Elliot
Moore and the psychotic old lady (Mrs. Jones) is reminiscent of the interaction
between Tom Cruise's and Tim Robbins' respective characters. Although in the real world Mother Nature is
the cause of much destruction, it is certainly unconvincing to use it in a
mystery/thriller movie.
The
script is concise and to the point. It does not give anything away, but then
again there isn't anything to give away. This is the first M. Night movie that contained
absolutely no surprise twists.
Tak
Fujimoto's cinematography fails to leave a visual mark. THE HAPPENING is a
mixture of generic shots featuring forgettable locales. Compared to his
previous collaborations with M. Night, namely THE SIXTH SENSE and SIGNS,
Fujimoto could not create a unique mood through the camera lens on this
endeavor.
All
the actors contributed lackluster performances to an already uninspiring story.
Mark Wahlberg proves that he is not leading man material, Deschanel gives an
indifferent portrayal as the wife, Leguizamo is underused and his character's
young daughter is probably the most undistinguished of all M. Night's child
characters.
I
have been a devoted fan of M. Night Shyamalan movies. I would go so far as to
consider him a modern day Hitchcock. In fact I have enjoyed each and every film
he has made since THE SIXTH SENSE and yes that includes his last film LADY IN
THE WATER. But I have to admit his new movie is the first major flop on the resume.
The film is simply build-up after build-up of unexplained suicides and at the
end all I got was a pathetic resolution. It's like getting a massage, only
without the happy ending. M. Night needs to stop trying to replicate the
feeling he gave audiences in his previous films and just stick to a solid
story. Perhaps switching genres may get his creative juices flowing, or just
direct a screenplay written by somebody else. Whatever it may be, M. Night
Shyamalan's filmmaking is in desperate need of a reboot. I too suffered from
loss of speech during the suicide scenes, I later felt physical disorientation
when I realized that there was no reason to the madness and ultimately I
contemplated suicide after recalling the money I spent for the cinema ticket.
Rating: 1/5
S. V. Fernando
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