THE ESCAPIST
A
hardened convict (Frank Perry) serving a life sentence decides to escape from
prison in order to reach his alienated daughter. The daughter's life hangs on a
thread after suffering a drug overdose. Time is of the essence, as Perry puts
together a motley crew of convicts and sets in motion an impetuous plan to
escape.
Released
in the U.S. on March 30th 2009, THE ESCAPIST features a capable cast of
actors led my Brian Cox (Frank Perry), Joseph Fiennes (Lenny Drake), Dominic
Cooper (Lacey) and Steven Mackintosh (Tony). The screenplay is co-written by
Daniel Hardy and Rupert Wyatt and the film marks the feature length directorial
debut of Wyatt.
The
plot of THE ESCAPIST utilizes an incomplex tried and true recipe. Take one 'Jailhouse
Savvy Lifer,' give him a reason to escape, mix in a few colourful inmates, a
plausible escape plan and Voila! Add to that the 'Typical Penitentiary Sexual
Predator' along with the 'Scared Straight Newbie' and then we have subplot.
Frank Perry receives a letter from his estranged wife saying that their
daughter is in a bad state following two heart failures. Unable to do anything
while incarcerated Perry has nothing to lose and everything to gain, so the
decision to escape is obvious. The plot is elementary when compared to such
great prison break movies like THE SHAWSHANK REDEMPTION and THE GREAT ESCAPE.
But what sets this film apart is purely plot structure. The film opens simultaneously
by showing Perry's reason for escape and the beginning of the actual escape.
This clever order of storytelling gives the film a fresh feel. Instead of using
the entire first act to build up to the escape, this inventive use of parallel
storylines keeps the film spontaneous. The story prevents itself from becoming
lethargic with these sudden bursts of tense scenes.
The
dialogue is a mish-mash of English and Irish slang providing authenticity to
its characters. Simple dialogue for a simple plot.
I
am a fan of films that display a unique visual atmosphere. The cinematography
does not disappoint, it creates a harsh prison environment. The colour palette
is faded and almost has a matte finish to it. It highlights the cold and dingy
mood of an old prison. The editing is also a contributing factor to the overall
feel of this movie. But what stands out is the unique score of the film. With
its gritty violin riffs and fast paced drums, the score is the most memorable element
of the film.
THE
ESCAPIST is clearly an Actor's Movie. Comprised of a number of recognizable but
unknown actors, this film relies on its ensemble cast. Joseph SHAKESPEARE IN
LOVE Fiennes tries his hand as the 'Tough Guy,' but at times he seems too
concerned about trying to look rugged. Dominic MAMMA MIA Cooper plays the new
con on the block with fragility and nuance. Steven UNDERWORLD: RISE OF THE
LYCANS Mackintosh gives a sinister and engaging performance as the resident
sexual predator. But much of the acting praise is deserved by Brian X MEN 2
Cox, who also Executive Produced the film. Cox's role of Frank Perry was tailor-written
for him and his commitment to the character is evident. I am unaware as to the
extent of Cox's character research but he gives a believable performance as the
'slammer seasoned' Perry.
THE ESCAPIST is a good
first time effort by director Rupert Wyatt who had only previously directed a
few short films. Unfortunately the subject matter has been overused, and the
characters are somewhat clichéd. But the ending gives this film a bit of
redemption. The crafty twist at the conclusion sets this story apart and links
the flashback scenes with the present scenes. The directing is well rounded and
competent. Although the film is lacking in certain areas this is one of those
British Indie Flicks that is worth the watch.
Rating: 4/5
S. V. Fernando
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